pedagogyArchive

Sep 20

i suppose in teaching one never gets the chance to be quite as smart as one might be … there’s something held back … a place inside the idea you never get to … like in was it to the lighthouse … you get to q, maybe even r or s, but never to t … never quite that far …

it’s an impractical desire … to get so far … considering all that you’d have to leave behind … for the sake of an idea … when all the time these warm & curious souls in seats want … something solid … at least enough to stand on today … they want to believe in say grades that will open out to a future a life … of money or fame or love far from these clouds … they want all the questions answered … and who doesn’t … no blame in that

Sep 16

hello there … it’s saturday … & i’ve traded some self-flagellation for Action … in & among massive piles of paper produced by students … at my command … over the past three weeks … i’ve barely scratched the thin white surface of it all … & am still puzzling over the difficulty of just jumping into them any old time during the past weeks … as more than one of my honorable comrades do advise … but i’m always So Damn Tired when 3:15 rolls around … i cannot physically sit and read student work under that condition … BUT this morning … under the influence of a really strong mug of coffee … i roared through a good (yet ineffectual) number of pages … and found a few gems …

this evening i’m off to a colleague’s house for the rare Dinner Party … hoping they don’t expect me to dress too spiffy … since i’m all spiffed out … have been … in fact … since sometime in the late nineties …

Sep 15

ReadWriteThink: Lesson Plan: Freedom of Speech and Automatic Language: Examining the Pledge of Allegiance

Sep 13

why is it so freaking hard to shrink these piles of paper … to process the hell out of them and get them back to the students who composed them?

one cannot call a moratorium on the assignment of such paper … this is what a teacher does … but the failure to process & return such is not what a good teacher does …

Sep 08

“Chinaman” is a derogatory term historically used to denigrate Chinese-American laborers during a period of racism and inhumane treatment. Some people mistakenly use the word “Chinaman” because they believe it is analogous to the word Frenchman, Irishman, etc. However, people from France are French men/women. People from China are Chinese men/women.

asianmediawatch.net

The “devolution” of the slang phrase “Chinaman’s Chance in Hell” into “Chinaman’s Chance” resulted, ending up as an insult to Chinese people not necessarily by original intention, but by the growth of a callous attitude towards the lives of Chinese immigrant workers.

Chinaman’s chance means de facto no chances at all.

from wikipedia

and so … now i remember

if the sudden movement of students in a room causes the floor to shudder the air to shiver … and a stray line of poem rushes into the teacher’s head … and … without thinking … the teacher speaks this thought … for no reason past a momentary whimsy … and the teacher says …

At night Chinamen jump
on Asia with a thump

or thereabouts … since the teacher’s memory is not what it used to be … if these words were thus thoughtlessly spoken out into the air of the classroom … and then briefly restated & explained to some students who gave strangelooks …

if all of this … then … would the teacher be guilty of a derogation? a denigration? possibly not …

but would some in the class take offense? … yes … they would …

and wouldn’t the teacher … only days & days later … becoming aware of this offense … wouldn’t the teacher suddenly feel embarassed & ashamed of himself … ?

yes he would … not because he intended any hurt … but because some was taken

Sep 06

a good day with the sophomores, i think … & the class consisted of two parts …

in part one we/they looked at the quality of their discussion board posts … homework was to find a post that could receive full credit and one that would only receive half credit … individually they i.d.’d the characteristics of each type … then in small groups they discussed their judgements of the found posts … then in the big group we surfaced benchmarks for full & half credit posts … i like this occasional attention to how things (like the students’ own work) are valued … partly because back in the day this was never an option … teacher marked based on whatever teacher thought without the slightest bit of input from students … & i liked this process because it drew out from the students something that i knew they knew but needed to know more attentively … more actively

then in part two we had a roundtable on the second act of the crucible … not my favorite play by any means … & it falls in my least favorite section of the course (beginnings with native americans & puritans & all) … but the conversation (in at least two of the three sections) was rich … & i enjoyed watching them pose a problem or a wonder & then consider the possibilities & then come to some new understanding … cool when that happens … & it kind of did today

Sep 04

from Parker Palmer’s The Courage to Teach

Learning demands solitude — not only in the sense that students need time alone to reflect and absorb but also in the deeper sense that the integrity of the student’s inner self must be respected, not violated, if we expect the student to learn. Learning also demands community — a dialogical exchange in which our ignorance can be aired, our ideas tested, our biases challenged, and our knowledge expanded, an exchange in which we are not simply left alone to think our own thoughts.

i read this & feel affirmed in many of my own decisions concerning the online discussion boards and the in-class roundtable discussions. Then Palmer goes on …

But there are forms, or perversions, of community that are inimical to deep solitude, that do not respect interiority and are invasive of the soul. When the group norm asserts, however subtly, that everyone must speak, or must speak in a common voice, then both speech and dissent are stifled, the solitude of the individual is violated, and no learning can occur.

i say yes to this, too, but … i tell my students that i expect them each to make the effort to speak in our class discussions … & i’m not too subtle about it either … here’s the rubric, kids … and at the bottom of the rubric i’ve appended a thought by k. silem mohammad … from his interview with tom beckett … (& kasey was not speaking specifically of a classroom context, so i’ve probably done some violence to his intentions) … he said …

Sometimes I think shyness is a cover-up for hostility. Our initial instinct is often to excuse people who don’t participate in group discussions, etc., on the basis that they’re sensitive souls who shouldn’t be prodded to step into the spotlight against their will. But that kind of sensitivity is like a wound that will get infected and potentially spread to others.

… which is an effect i’ve often experienced in group discussions & thus feel compelled to raise with the class … but which is at odds with Palmer’s “respect the interiority of the student” … a bit later he says …

I tell my students that much as I value dialogue, I affirm their right not to participate overtly in the conversation — as long as I have the sense, and occasional verbal reassurance, that they are participating inwardly. This permission not to speak seems to evoke speech from people who are normally silent: we are more likely to choose participation when we are granted the freedom to do so.

which leaves me stuck in the Big Quandry … what to do to encourage each student’s active participation …

the other day one student approached me after class, asking how seriously i was tracking participation in the big group … i said i’m watching & recording who speaks pretty closely … the student (who had not spoken in the group) then quickly blurted what s/he was thinking about the matter the class had been discussing …as if to “make up” for his/her lack of speaking then … to prove that his/her mind had been with us … and said s/he was used to raising a hand & being called on … said that this new practice of just speaking up was very difficult … all i could offer was a feeble “keep trying” …

so … i needs to ponder this some more

Sep 02

joseph duemer on the tough work of the first week of school …

The difficulty is not, obviously, physical work, nor even just being particularly busy. The hard work of teaching is paying a certain kind of focused attention to at least two things at once: the text under discussion & the ever-changing dynamic of student responses happening in real time before your eyes & ears. The closest analogy I can think of is conducting a symphony orchestra.

(read the whole piece) … he’s got it … having good students, as I obviously do this term, tires you out like going to the gym …

on my own first week(s) … i’m very pleased with the … uh … developments … class discussion has been mostly good when it has been actual discussion and not just me spouting off … students (both seniors and sophs) are trying to listen & stay on topic & say articulately … i’ve got the usual scattering of silent customers & i aim to help them fix that … class size, though, doesn’t help much … duemer notes the benefit of moving from 25 to 20 … mine are all over 20 & it does make a difference … (i feel like a creep for saying that, knowing that many many teachers everywhere are dealing with cripplingly (?) monstrous class sizes … i’m not complaining … just wishing for the optimum) …

the class discussion boards are going very well … spent time this morning reading & counting the senior board … a pretty high level of discourse in most threads … i’ll hit the sophs soon … & i know there will be a few more trouble spots there … always are first quarter with the younguns …

getting some writing done & paying close attention to the issues therein are yet to come … that means “grammar” and vocab … and the more-than-occasional in-class essay for both groups

Aug 27

The Five-Paragraph Essay

i’m reading the first batch of ap in-class essays

Aug 26

apply to one of my pomes the questions posed by teacher dawn hogue in What is a poem made of?

is it possible or desirable to do this with pomes of my ilk?

are there other questions that might be posed for pomes of my ilk?

does the degree of resistance to these questions by my pomes validate or invalidate them as poems? mark them as “good” poems or “bad” poems?

i suppose this all comes under the query: “Are these poems workshopable?”

(preliminary reply: well, they would be if the workshop shared certain (the same) poetic principles/methods with the poet)

what are those principles/methods?

Aug 24

the ap classses had some worthy discussion of a wendell berry essay … “Men and Women in Search of Common Ground” …

But we need a broader concept yet, for a marriage involves more than just the bodies and minds of a man and a woman. It involves locality, human circumstance, and duration. There is a strong possibility that the basic human sexual unit is composed of a man and a woman (bodies and minds), plus their history together, plus their kind and descendants, plus their place in the world with its economy and history, plus their natural neighborhood, plus their human community with its memories, satisfactions, expectations, and hopes.

it’s probably not possible to assert anything about the nature of anything these days (let alone the nature of marriage) without stirring up a myriad of qualifications, objections, refusals, approvals & denials … but vive la discourse … the classes raised some useful & necessary questions … we had fodder for at least a two or three-hour discussion … had to settle for about forty-five minutes … i’m trying to track the conversation without knowing the names of all participants yet … they are humoring/helping me with their discussion board usernames taped to their desks … funny that these folks who are so new & unknown to me now will be familiar as my old brown shoes in a couple weeks

Jul 28

a poet

Posted in pedagogy, poetry, Comments Off

time to get yr john ashbery on …

we like this creepy opening to the long “And the Stars Were Shining”

It was the solstice, and it was jumping on you like a friendly dog.
The stars were still out in the field,
and the child prostitutes plied their trade,
the only happy ones, having learned how unhappiness sticks
and will not risk being traded in for a song or a balloon.
Christmas decorations were getting crumpled in offices
by staffers slumped at their video terminals,
and dismay articulated otherness in orphan asylums
where the coffee percolates eternally, and God is not light
but God, as mysterious to Himself as we are to Him.

if i were using this in class i’d point out the obvious … and wait for my students to notice the not-so-obvious …

it’s the obvious-to-me echo of eliot’s/prufrock’s opening … to shift from pretty poetic innocence to jaded (poetic?) experience … ironic pastoral? … subversion of the pastoral? … wanting both there in the poem? from “solstice” “friendly dog” “stars” & “field” to “child prostitutes” “crumpled” “staffers slumped” “video terminals” “orphan asylums” to “God” … and honoring (?) acknowledging (?) mocking (?) the sacred with the traditional caps on “Himself” and “Him” …

in ap english circles we push students to identify the tone … the voice … of/in the work … as a way to “reach” the “truth” of the poem … or the poet … but i wonder how helpful that is with much of ashbery … who ducks & dodges … tone&voice are just other tools to serve whichever purpose of the poem at that moment … & some would (but i don’t) have a problem with that

May 02

so i’m stuck with this textbook … and here are five poems by mainstream white guy poets (is this a fair distinction? i don’t know … they are grouped here not by me but by the editors of this book i’m stuck with … it’s robert lowell, robert penn warren, william stafford, and theodore roethke … you decide)

and then about eighty pages later … here come the asian, hispanic, native american, and female poets (lorna dee cervantes, martin espada, diana chang, simon ortiz, garret hongo) … they get five poems, too … so we’re ethnically (if not aesthetically) diverse in this textbook …

but what if i want these poets & poems to talk to each other? which i do.

then i pair them up & assign them to students to read and think about and talk about … and that’s what will happen in the coming period … moving toward a fishbowl discussion.

i pose three questions …

1. what is the situation of the poem?

2. what does each poem reveal about what poetry can do?

3. what happens when you set these two poems next to each other and think about them?

one